Foreboding: Fractured Applauding The Team

One of the things we applaud and stand with is people who take risks and create on their own terms, seeing the team behind The Foreboding: Fractured do exactly this with a cleverly done horror that takes classic tropes and scenarios and makes them fresh.  

The premise of the film is straightforward and a classic of the genre with the teenage group heading into the forest to camp and telling scary stories over the fire and finding themselves caught up in the tale in a way that they did not anticipate. 

While the styling is simple, the cast and crew did a stellar job of making this their own with some subtle nods to those who came before.  The acting is naturalistic with character types being laid out smoothly, giving each of them a chance to develop and build to a grand finale that is chilling in its substance and still a classic that will have you jumping in your seat. 

From the camera work in the opening that is simple and clean to the more “found footage” style as the story progresses, you can see the passion behind this film and that a tight budget is not enough to stop creatives being creative. 

The Foreboding: Fractured, is a classic example of what can be done on a low budget with passion and deserves the accolades that will inevitably follow when it hits the festival circuit in full.  

Our prediction is that the people behind this are the ones to watch for the future as filmmakers and actors, they are gearing up for big things and this film is an excellent, creepy start on the road. 

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Dark Forest: A Cinematic Short

Cinema started with the short film and it has been a long tradition of movie makers to take this process and work to create something fresh, a story that is strong enough to stand on its own and convey a message in a short amount of time, Nevis Studios is now stepping into that arena with their new crowdfund project: Dark Forest.

“In the gripping thriller "Dark Forest," Detectives Danny and Fiona pursue a serial killer terrorizing the Scottish highlands. The tension escalates as they close in on the elusive criminal and search for missing victim Anna Frey.”

With a creative vision that will open up doors to creativity as well as jobs, the team behind this crowd funder for Dark Forest, are looking at an expansive and long reaching movement of cinema.

Crowd funding is a common practice now and gives people the opportunity to be a part of the creation of cinema and the team behind Dark Forest are open to the challenges that this creates and see it as an investment in not just a film but in the process.

To learn more about the company or the project see:

Nevis Studios Website.

Nevis Studios Facebook.

Nevis Studios Instagram.

Dark Forest Campaign.

Discussing Film with Kemal Yildirim

Expanding on our previous blogs with the team behind The Foreboding: Fractured, we talk to director, editor and DOP Kemal Yildirim about the films making.

You were a leading voice behind The Foreboding: Fractured as the director. Can you tell us a little more about the thought process behind the creation of this project?

When Alexander sent me the script I was immediately taken with the characters he created and how he captured that feeling of what comes next on our journeys into adulthood. I have always been a fan of horror and in particular ghost story and folklore genres. As Director and Cinematographer I wanted to create a sense of unease, that these characters who are on the cusp of adulthood are in danger. I also wanted to create a sense that the infamous woodland they enter has a life of its own and plays on their fears. I used the tropes from the folklore and supernatural genre to do this.

What challenges have you faced in the making of the project and how did you overcome them?

As with all films there will always be challenges. Our biggest challenge was how remote the location was and that it had no power outlets. So we had to rely on a generator to help aid our shoot. Our first generator blew up so that meant one of our night shoots was affected. The good old British weather was some of the worst I have seen with torrential rain and winds, but none of this stopped us. The thing I love about indie filmmaking is the tenacity and team spirit to get through stressful situations for the sake of the production, a singular goal of getting the film over the line and to see the vision through.

Now that the project is complete and you have started the PR and marketing what is next for you as a creative that you can share?

There are always more projects in the pipeline, I am lucky as I have a good career as a cinematographer as well so I am working with some really exciting filmmakers from the indie scene. I am also developing some really interesting scripts ready to launch into production when the timing is right.

Is there any advice you can offer to people starting out or creating their own film?

My advice is simple, the times we are in right now is a great time to be a filmmaker. Tech is more affordable and with so much talent behind and in front of the camera there really isn’t an excuse not to make your film. The script is key, have a solid script and build a team of like minded creatives to help bring that vision to life.

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Expanding on The Foreboding: Fractured

We are always happy to talk to filmmakers and actors who take the leap and create their own projects and The Foreboding: Fractured is one of those films that captured attention from the poster, and of course the various interviews we are lucky to be able to speak to Alexander who was part of the trio behind the creation of the film.

You were a major part of the creation of The Foreboding: Fractured as both the  writer & of course the final film production, what was the thinking behind this  horror project?  

I suppose it would depend on what stage we are talking about. At the very beginning the  main focus was how we could make a teen horror flick without it being cliché or exactly  the same as the others. Then hearing the timeframe we had made me have one thought  “Let’s do it.” If we’re talking two weeks in then I was more thinking about the SAG AFTRA strike & whether continuing the film was a good idea since the strike was  something I supported. The answer became keep the film going due to the fact we don’t  have a big corporation behind us, it was myself, Peter & Kemal with a very dedicated  team. Honestly there were so many thoughts that went through my head throughout the  course of the project. Some were purely down to the script & the story, the others came  down to my acting. 

As a writer & creator, which part of the process do you feel you most enjoy? In  front of the camera? Behind the camera? Writing the stories? Or a combination of  these?  

I mean first & foremost I’m an actor, so playing Connor was something I really enjoyed &  also quite unexpected. In front of the camera it was a joy being able to work alongside  Eve Kathryn Oliver & Olivia Bennett. Obviously there’s Peter as well but I feel like that’s  kind of a given. Myself & Peter have been wanting to act alongside one another for a  while so finally being able to do it was brilliant. It just felt right. I loved coming up with  the stories, the characters & how the world intertwines with all of it. Having Kemal come  on & really embracing the world that the story is set in made the project that much  easier & he had such an amazing understanding of it. It got to the point where even  though I created this world, it felt like Kemal & Peter had a far better understanding of it  than I did in the end. I feel like they definitely know all my little tricks now. 

You & the team are currently working on PR for your project including interviews  & festival planning. What do you feel will be the next phase after this project & the  marketing?  

Well Myself, Kemal & Peter have been talking about the future of the world that’s been  created & if we were to return to it, how we’d go about it. We love this world, we love the  characters. We’ve spoken about making a feature however it is all up in the air. If the audience likes the film & wants to see what I would consider the true perspective, then chances are it’ll be made.  

What advice do you have for people who are starting out or looking to start their  own projects?  

I think the best advice I could possibly give is throw yourself into it. If you have an idea,  run with it as best as you can. You’ve got to be a little bit risky & you have to be okay  with the idea of not running through a wall but finding a way over it. On sets big & small  there are always issues, very very rarely is it smooth sailing & believe it or not that is  quite possibly the best part about it.

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Frustrations Within Casting

Being an actor or working in the creative arts has always been something of a passion led career path with many feeling they cannot get a foot in the door thanks in part to the ability to gain parts, an agent, or that elusive and somewhat necessary profile with the #1 casting directory. This has come to a head now and people are feeling pushed out with the system being called elitist, we at the lost creatives wanted to share some insights and options that are gaining ground and opening doors to people with a few added options that even at the lowest budgets, can make the dream become a reality with strategic work and a little planning.

As regular readers will know, we advocate for indie film and the creative talent behind it from the cast to the crew with our own allegiances being openly stated.

We are happy to endorse creative and commercial avenues of filmmaking with companies such as New Village Video and HOD TV being two of our favoured routes,

*It is worth noting that HOD TV has parameters that you need to match to get through their vetting process, we have this in a document and will share with those who require it through email.

In casting terms, it is not quite as simple, there are certain sites and companies that have all but cornered the market and are seen as the gold standard, this however, has been changing slowly and we want to talk about 2 of those options and are open to hearing from new services that may appear or alternative options at any time.

vShowcards: a game changing paid for service with a dedicated team who not only help and support their members with advice, but a multi-faceted company that takes on actors and crew giving them a manageable route to showcase themselves and promote their skills to multiple audiences and welcome new and established talent because the site was built by actors, there is more understanding of the challenges out there.

Casting Callback: a free at point of use service for the UK, I personally checked out the layout and actors pages to see how it works and I am impressed, the company ethos is simple, they want to the creative arts to be open to all backgrounds making it one of the best of the free services for its open platform and honest approach to the industry.

With just these 2 options under your belt, it offers up scope in particular to new entrants, and with the media market slowly getting back on its feet with global financial concerns, it shows that no matter what your background, no matter your financial status as an actor or filmmaker, there is a means to promote and market yourself and fortunately, in this content hungry age, platforms available to sell your work.

Lost Creatives will be using these platforms both for casting and for promotion over the next year and focusing on opportunities outside the mainstream with digital TV and film being our goal and of course, supporting creatives across the spectrum with the blog being open to those who need support to promote their projects.

We will be talking in our next blog about commercial avenues for short films and touching on team building for projects with small budget.

New Village Video

As we are all aware there are major changes in motion in the mainstream market of film and TV, which is leading to the question “can the indies step in and entertain us?”  Happily the answer is yes, and sites like New Village Video are stepping up to the plate with gusto and bringing old school values and entertainment back to the market.

Focused on the best and brightest of the indie, art, and grindhouse movie scene, New Village Video is about the charms of a video store combined with the best of the digital age. 

Indie film is the heart of much of their work and their films have that “straight to video” feel that is somewhere between nostalgic and innovative, offering you the chance to support new and emerging talents, filmmakers and artists in a way that is entertainingly quirky.

What this means is there Is an option for us out there who have lower budget visuals and tongue in cheek chic films that are about pure entertainment, getting films out there and opening the door to genre based films that focus on the popcorn chucking entertainment, and scares that a good movie should.  From a filmmaking perspective New Village Video is the modern version of the VHS for hire route that gave us cult/underground movies that went from backyard films to schoolyard legend without the need for a PR team.  

Giving power to the indies is just a small part of what this offers, New Village Video is set to become the digital film archive for those who just want to entertain.  Worthy of checking out on all fronts: from consumer to artiste, the potential to showcase your work, make money on your investment, and have your film seen is enough to tip the scales in their favour and as someone who appreciates movies, and has a set of goals that include schlock horror, this will be top of the list for me to showcase my own films and with their commission rates in the favour of the filmmaker, it is without question a good time to be an indie filmmaker in a fluctuating market. 

To learn more about New Village Video or to discuss submissions see:

New Village Video.

Submissions at New Village Video.

IC9: A Glimpse Into The World of Film Courtesy of vShowcards

The Lost Creatives team always appreciates when we are given insight and a little bit of the background to a project and as always vShowcards has been part and parcel of that by bringing to our attention the new police drama IC9.

Tackling the controversial and very contemporary issues of people trafficking and illegal immigration, the film looks at the personal as well as the professional from a police woman’s standpoint as she hunts for her sister and discovers a startling, dangerous truth about her own family coupled with the harrowing insight into the world the trafficked people find themselves in.

With a stellar team both in front and behind the camera including such leading actors as Georgia May Foote (coronation street) and Richie Campbell (Grace, liar, ITV) and of course vshowcards founder and all round actor of note Darren Tassell who has (with permission) given us access to the documentation and files for the project.

vShowcards works hard as a casting site and has also played a part bringing in such excellent talent as Richie Campbell, and Georgia May to peoples attention thanks to their savvy use of social media and contacts, each member of the team of course brings their unique talents to the table and add dimension to a nail biting script by Kyle Titteron and Gulshan Singh making this more than a film but a true showcase of talents.

With filming underway at the moment, stories and images are leaking out that show not just a cast and crew enjoying the work but adding to a film that is gathering attention not just from social media buzz but from interested parties looking to the project to see what is happening in the business including bloggers, journalists and potential viewers who are seeing snippets and images sneaking through, the anticipation for this film is rightly high.

IC9 is a large scale UK indie production that is a showcase of talent, ingenuity and intrigue. A truly welcome project that will hit the high notes and with the support of vShowcards and many others who are seeing the potential of cinematic projects and how it can be achieved with the right people backing you.

Naturally, we will be happy to support the ongoing work and cannot wait to see the final film, we will be talking to key team members about the project itself looking at the casting process, making of, and what the future is for the production team.

For more information on vShowcards and what they do see: The vShowcards Website and stay tuned to the blog for further updates on the project.

Talking Politics and YouTube With That Preston Journalist

Building on his early success, Ashley aka That Preston Journalist, has opened up to The Lost Creatives about his journey as a podcaster and journalist in the YouTube sphere.

Since we first talked to you about your You tube channel and political commentary, what has changed for you as a podcaster and how has that affected your channel? 

When we first spoke, my channel was very much in its infancy. Since then, it has grown bigger than I thought and continues to pick up around a thousand new subscribers each month. As a result, it no longer feels like a hobby or a past time, it is now something that is very much part of my daily routine. As the audience grows, the content I put out has to be taken more seriously as well. When I first started, I was talking to maybe 100-500 people, now the channel generates 50,000-100,000 views per day so it has to be good. 

Working to YouTube restrictions on what you can talk about is difficult, but when it comes to politics, most things are OK. I have also been asked by other channels to appear with them as well which I have done on many occasions, but the main passion is always with the daily content. 

“It is also quite nice to be recognised by people in the street, I am by no means a celebrity, nor do I wish to be, but it does happen sometimes and it is always nice to hear that someone enjoys the channel because it takes up so much time and a lot of effort goes into it.”

One of the things that stands out about your work is you talk from a working man's perspective rather than the usual political bubble stance. What do you think makes this important and how can people be more involved in the discussions? 

One of the biggest compliments I get is that I am a working class man from a working class background. I am not part of the establishment, I live and work in the same streets and towns as the people who watch me, this means I am far more relatable than someone sat in a studio in London who knows nothing about life outside the M25. 

I am very lucky to have an active audience who leave thousands of comments on my channel every week. Its fantastic to see so many people engaged, it shows that the content is interesting and thought provoking, which is exactly what I want. Also, in terms of YouTube, the more comments and interaction you get, the more it aids the channel algorithmically.

Are there political aspirations in your future or do you have other goals in mind that you can share with us?  

I have harboured political aspirations in the past, but to be honest, I, like many millions of people in this country, am politically homeless. This, I feel, helps the channel because it gives me some impartiality. I can never say never about maybe standing for a party one day, but it won’t be any of the current parties, they all represent the same things and do not represent me. 

I would like to do further media work, perhaps radio or even TV discussion shows, but they are such a closed shop to anyone who isn’t, or hasn’t in the past been a part of the media scene. I am in no hurry to do either really, my channel gets more views a day than some organisations who spend millions of pounds on presenters etc… such as GB news and Talk TV. IF any opportunities did come my way, there is no way I could sacrifice my YouTube channel, it has taken a lot of dedication and hard work to build it up to the position it is in now and I wouldn’t throw it away for anyone. 

What message would you like to convey to your viewers and potential viewers in terms of what you are doing as a podcaster highlighting the political realm?  

The idea of starting the channel came to me because I was so frustrated with the group-think media we have in the UK. Whoever you watch on the TV, whether it be the BBC, ITV, SKY etc… They all say and think the same things, it's just a big echo chamber. 

I wanted to present a different side to politics in this country, what I would consider to be the opinions of the silent majority who are not represented, but these are the people who decide elections, they deserve to hear news from all different aspects. 

If anyone reading this is wondering whether or not to give it a watch, I would ask them to ask themselves, do you believe everything you are told by the mainstream? Is there not another point of view out there to consider? If the answer is yes, then my channel is the place for you. 

I discuss all sorts of subjects in relation to politics and try to remain impartial most of the time, but I do it with passion, so the impartiality lapses sometimes, but I feel that adds character to the videos and debates. Some people who watch my channel don’t even agree with me most of the time, but they keep watching, so I guess that means I am doing something right, if people keep coming back for more, the content must be worth watching. 

To learn more or to subscribe to “That Preston Journalist” Channel see:

That Preston Journalist YouTube.

That Preston Journalist Twitter.

Building Your Team Featuring Vshowcards

Something I have seen quite a lot of when on social media is the individualist aspect of marketing, by that I mean promotion of just one aspect of what you do as a creative, forgetting that when it comes to a shoot be it film, TV, or photographic it is a team affair.

One of the biggest reasons we say this is because our own creative director JamesC has reached out to the team behind vshowcards and will be working with them to assess a proposal for upcoming projects.

Networking, promotion and just old fashioned relationship building over time can be a difference maker in the world of film and TV, we rely on each other to make a shoot run smoothly and efficiently so having good relationships with the team make a huge difference.

With Vshowcards you have access to the a huge number of professionals within industry that will support your moves and if you reach out are willing to help and support, you just need to ask.

From an industry standpoint there is so much more than just your skillset to consider, you are a part of a team, the machine works because we do and supporting each other is the way to move forward and building your team is a lot easier when you have all your information at your fingertips and know you can reach out to others with questions.

To learn more about the Vshowcards set up or to join see:

Vshowcards Website.

Vshowcards Facebook.

Vshowcards Twitter.

Vshowcards Instagram.

Vshowcards YouTube.

The Lost Creatives Christmas

In the last few weeks of 2022 (where has the time gone!!??) The Lost Creatives has gone from strength to strength, don’t get me wrong there have been pitfalls, but overall we have been able to create a network of people that is amazing, offer PR and other forms of support to fellow creatives that was after all the goal of the site.

Christmas for us, will be a time of relaxation with a heavy focus on what will be done in the new year, with commercial work and PR for clients having been the heaviest part of our workload, our creative director JamesC, will be returning to work as a makeup artist on a more open basis and taking on smaller projects to bolster the public side of his work and spending time on some personal projects that will be featured not just here on the Lost Creative but his own site and our partner site The Lost Agency who will be taking a heavier hand in our own marketing and internal affairs. *This means we will be returning to Instagram soon!

We have had some disappointments lately, with meetings and reaching out to potential collaborators falling through mainly due to scheduling issues which as you can imagine as a freelancer, has been a pain, however that will not stop us from pushing forward and with our ties to HOD TV, we will be focusing on that for the future and tackling things in a much more hard-line manner.

Our passion for the arts is not waning, far from it, we have collated magazines, festivals and other information that we intend to make full use of for ourselves, up until now we have put a vast amount of time into clients and not been able to put the lost concept at the forefront but, we are incredibly proud of the fact people have trusted the team.

In the next few weeks we will be releasing our goals and a schedule for this through the site along with a few snippets of art projects to test the waters.

For the moment we are going to allow ourselves a little breathing space for the festive season and release more information soon and options to get involved.

Talking Books and Films With Ivan Peric

Over at The Lost Creatives, we are big fans of Ivan Peric and his book on filmmaking, taken from his own experiences and offering a solid plan for making and selling your work that resonates with our team. We are extremely thankful that he took some time out of his schedule to talk to us and open up about what he has been doing since the launch of “Don’t F*ck Up Your No Budget Movie!”

You are returning from a break after the release of your successful and lauded book “Don’t F*ck Up Your No-Budget Movie!” What have you been doing in that time that you can share with us?

Thanks for this question as it touches upon something that we don't often hear about, and that's taking ''breaks". Taking the time to not do anything and just relax. You scroll down your social media feed and all you see are people pushing the ''hustle'' and "grind'' lifestyle, it's rare you see someone talking about taking it easy and pacing yourself.

“The reality is that everyone needs to take breaks every once in a while in order not to burn out. This is especially true for us artists and digital creators.”

Most of us have full-time jobs and families, so all the extra work we put into our projects ends up taking a toll on our bodies. Just like any car, it doesn't matter if you use it for work or leisure, the mileage always accumulates. So that's what I did, I just took a break from it all, acting, writing, producing...My agent was sending me auditions and I just couldn't get myself to do them. I was physically and mentally drained.

I had written DFYNBM during the pandemic, the editing process was a lot of work and a lot of back and forth with the editors, then the publisher released it pretty quickly so I had to be on my toes and start promoting it right away.

With the uncertainties of the pandemic, everyday life at work, and writing this book, I never got to take a step back and refocus. After a few months ''off'', I now feel great and motivated to continue working on my plans for this book and other projects!

You have spoken quite openly about how your workflow has changed thanks to your experiences in filmmaking, taking you from actor to director/producer to give you control over your projects, how has this affected your style as an actor overall, and is it a method you would recommend?

Yes, I would definitely recommend any actor to pick up a camera and produce something themselves! It's the best experience and you get to see through the eyes of a producer and director. For me, understanding the process gave me much more confidence as an actor.

Once you get to understand how things work, you put much less pressure on yourself. Most young actors are very self-conscious, always wondering what everyone on set thinks of their performance. I was like that, always looking for that validation. By becoming a director yourself, you get to understand that performing is not that complicated and it often doesn't take that much of a ''performance'' as some actors might think.

It definitely grounded my acting style. Every subtle moment is blown up by 1000% on the screen, so it made me understand that less is more because the camera catches everything. You also get to understand the point of view of the director much more.

I remember being a young actor and being devastated by any notes a director would give me after a take. I would take it personally and couldn't understand why the director didn't like my performance. But the truth was that the director never disliked my performance, he just wanted to see something different and push me as an artist. Producing also makes you appreciate every single person on set. You see and understand that everyone has an important role in a production. You just respect everyone more, and out of that respect comes better performances because you want to contribute as best as you can to the project.

What is next for you in the creative arena? Do you have any new projects planned? Will
you be taking your method on the road and teaching the Ivan Peric method of filmmaking?

Every time I come back from a break I want to do it all! I feel inspired to act, write and produce! But I know I will have to focus on one thing at a time. I wasn't 100% satisfied with my book launch as it was rushed by the publisher and I didn't have much time to market it before I had to take a break. So the first thing on my list is to continue to push my book and get it out there to as many people as possible. Yes, one of the ways I will be doing this is by starting workshops for aspiring filmmakers. I would love to have seminars all around the world and inspire others to start making their own movies.

My main goal with DFYNBM was to inspire people who might not have a big budget, or any budget at all, to produce their own feature films. I believe these seminars can complement the book very well by being not only inspiring but also informative and entertaining.

I have so many stories and anecdotes I would love to share that didn't end up in the book! I will start locally here in Montreal, then hopefully expand to the rest of Canada and the US. The next goal after that would be to go overseas! I will also slowly get back into acting. I already have a few auditions lined up that seem like fun. There are also some unfinished scripts I'd like to work on and hopefully produce.

What advice would you offer anyone entering the film or TV arena as an actor, producer, or director?

Make sure you are getting into it because you absolutely love it. Don't do it for some kind of fame or fortune because there is a 99.9% chance you won't get it. Do it from your heart and not your ego. Take classes/workshops, and learn as much about your craft as you can. Watch a lot of movies and shows!

There is a lot of great content out there and so many outlets where you can expose your work. There is no excuse these days, the technology is affordable and platforms are always looking for fresh ideas. Finally, just do it! Pick up your digital camera or iPhone and just go out there and shoot. If you're an actor, record yourself doing scenes or shoot skits to keep yourself sharp, and never give up!

To learn more about Ivan Peric and his work or to purchase his excellent book see:

Ivan Peric Website.

Ivan Peric Instagram.

Ivan Peric Facebook.

Ivan Peric Twitter.

Ivan Peric Youtube.

Don’t F*ck Up Your No Budget Movie! Amazon UK.

Don’t F*ck Up Your No Budget Movie! Amazon USA.

The House of iKons Team Pay Tribute To a Life In Service

While fashion shows may seem to be a frivolous concept and far removed from Royal duties, the House of iKons team from the models, to the crew, paid tribute to the late Queen Elizabeth the second at their September show. Firm supporters of Royalty, the iKons team took the time to say goodbye in a way that only a world-leading fashion event house could.

The House of iKons models and crew show respect for the departed Queen Elizabeth the second at the September show.

Such is their support for Royalty, the team has been working closely with the Thai Royal family, an even more poignant partnership when you consider how much goes on behind the scenes of the Royal households and with the death of our own Monarch in the UK, a much loved, hardworking, woman who changed with the times, we see the same with her majesty Queen Sirikit, an advocate of women and strong supporter of the Thai industries such as hemp and silk production.

The show was as to be expected, a spectacular example of creative talent from the designers to the models and the creative talent backstage who worked hard to make the show happen and at the right time showed their respect for our late Queen.

The event was Sponsored by: The Fashion Life Tour & amp; Girl Meets Brush

Fashion Show Segment One:

• GRAND OPENING: ICHKA & Chiangrai Culture

• Love Collection

• Phor Popes represented by The Fashion Life Tour

• BC Munich

• Marcel of London

• Viviene Tsai

• Drisha’s Closet represented by The Fashion Life Tour

• CLC Couture

• Fashion Disorder represented by The Fashion Life Tour

• Grindei Denisa

• L Royal Luxury Sports

• Stormy Weather represented by The Fashion Life Tour

• GRAND FINALE: IMFAM BY Howe Magazine

Segment Two

• GRAND OPENING: Chavez

• Jhay Layson

• Black Sugar

• House of Holden represented by The Fashion Life Tour

• Sonata Kaminske

• Shameless represented by The Fashion Life Tour

• Dorcas Couture represented by The Fashion Life Tour

• Chantwa

• Joyce Penas Pilarsk

• Active Kids

• Saima Chaudhry

• GRAND FINALE: Suzi Buki

  To learn more about The House of iKons and their sponsors see:

  The House of iKons Website.
  The Fashion Life Tour.

  Girl Meets Brush Pro team.

  Images Courtesy of Pardesi Photo

Talking Film and Starting Out With Alex Chalatsis

As part of the upcoming new team and production house Dead Origami Films, we have been lucky enough to talk to Alex Chalatsis about his entry into the industry and what his plans are for the future.

Can you give us some background on yourself and your career to date?

I’m from Greece and currently studying Drama & Theatre at Royal Holloway University because I think England is the best country on this side of the Atlantic to pursue this dream and eventually work in the entertainment industry. I am currently working on productions laid by Dead Origami Films and really enjoy my time there, working with equally passionate people to create something we are truly proud of. My resume is still relatively small mostly due to my age, but I am working on enriching it with quality projects as the years come.

Indie film commonly requires that crew multi-task, have you found yourself working more than one role on a project and what do you feel you have learned from that?  

 Yep, crew multi-tasking is a thing alright… I have done my fair share already. It really showed me how much useful it is for a filmmaker to be informed about everything because they are all connected, and I am interested in walking that path, learning about everything as much as I can. Filmmaking feels like cooking in some ways to me. You have a lot of separate ingredients that you try to figure out the correct amount to put in and make a tasty dish. You better know what each ingredient is and does!

You are part of a newly formed film production team, what is your role, and what is the plan for the company?  

 I’m fortunate enough to have found like-minded people with a similar vision of what they want to do in the future. The plan as of now contains 5 short films. Our current one is “Brutus” which is a modern adaptation of William Shakespeare’s Julius Caesar (Act I, Scene II). Next, we’ll be doing “Garmr”, which is going to be the surrealistic exploration of a deranged WWII sniper. After which we’ll be doing two more modern adaptations of Shakespeare’s “Macbeth” and “Romeo & Juliet”, and finally “Iscariot: House of the Red Door”, all of them challenging and exciting in their own ways, building us up to our first feature film planned for 2024.

“My role in all of these will vary since I’m interested in various roles in filmmaking and still trying out and willing to learn new stuff, so I will be a little bit everywhere, I guess… I like to be involved in films and keep myself busy, I really enjoy it.”

What advice would you offer to people looking to enter the arena of film and TV in the digital market?  

I think I still haven’t broken into that “arena” myself to advise others in the first place, but I would say be nice to others. It’s advice that would be helpful in life in general and regarding filmmaking, connections are really important since you end up spending a lot of time with each other on set, it would be better if you get along! I hope in a few years I will have a more insightful answer.

To learn more about Alex and his upcoming work with Dead Origami Films see:

Dead Origami Films Twitter.

Dead Origami Films Facebook.

Dead Origami Films Instagram.

Dead Origami Films Youtube.

Monsteer Artistry Brings Their Vision To The Stage

One of the best places to earn your craft as an actor, director, or crew has always been the stage, and Monsteer Artistry has taken this notion and run with their new play “The Feeling” which debuts at the Union Theater London on the 8th of September.

“A solid comedic piece about relationships, alcohol, and betrayals. the technical team has been working hard on the play alongside a stellar cast to create a play that is already getting attention from across the scene.”

We will be talking about the story, the work behind it, and of course the various elements of the setup (with a full show review coming soon). Combining the talents of the backstage with a fantastically written story by Monsteer Artistry’s own Kyra Jessica Willis, The Lost creative team is solidly behind this show and happy to be talking about the show, the process, and of course the hard graft it takes to make a play happen.

To learn more about the show or Monsteer Artistry see:

The Feeling” Union Theatre.

Monsteer Artistry.

Opening Doors For Working-Class Actors By Patricia Jones

There has been a push to get more working-class people into actors but with that, there has been little to no attempt at providing any information or support, which is why we at the lost creatives were very happy to be able to talk to Patricia Jones, a working actress of note, and the author of the book “Opening Doors for Working-Class Actors.” 

Opening up to her readers about her own journey from her Northern English roots, and struggles, her honest and upfront approach to the art of acting offers up hope for those who want a career in the arts and shows that it can be done. 

The book itself covers the basics of starting out and takes you through the process, offering advice based on experience, anecdotes about people she has met, and how her own life shaped her journey. 

Each chapter sets out a map of the craft and puts you in a position to set a clear path from starting out to finding yourself an agent, with a series of current options that are designed to be researched and cross-referenced to fit your plans, budget, and aspirations. 

Something that stood out for us was the reference to theater as a learning platform, we are big advocates of working on stage as an actor or backstage as a crew member, you will learn a huge amount about time management, voice work, character development and working to the constraints of the stage, another plus is the short and student film market, both of which can give you a chance to build showreel material and network (a very important part of the job of an actor). 

The *book “Opening Doors for Working-Class Actors.” is a book that has been needed for many years and in a content-hungry age of digital downloads, shows that the craft is not just for those with financial means, it is a journey that can be made by anyone with the determination to do it. 

With the full support and endorsement of The Lost Creatives, the book “Opening Doors for Working-Class Actors” is something we highly recommend to anyone looking to delve into the world of acting or to expand their knowledge of the working world of actors. 

To learn more about Patrician Jones or discuss bookings see:

Patricia Jones Twitter.

For further details of the book which is available in Kindle, hardback and paperback format see:

Opening Doors For Working Class Actors Amazon UK.

Don't F*ck Up Your No Budget Movie! By Ivan Peric

As an accomplished filmmaker and actor in his own right, Ivan Peric has become something of a maven for the digital content market and with his book “Don’t F*ck Your No Budget Movie” takes you through the hard-earned and hard-learned process that took his passion for acting and film to a wider audience, detailing the process with retrospective ease to help others in the same place.

Working backward, Ivan Peric talks about his own experience of starting out as a filmmaker taking the mistakes he made, the lessons he learned, and compiling them into an easy-to-follow and frankly common-sense manner that will change the way you look at digital filmmaking and selling your product.

Many new and established filmmakers have the belief that “If I make it, they shall come,” and focus on film as an art form rather than a commercial venture, which if you want to make a career out of this is the wrong approach and often leads down the path of shelving a project. What this book focuses on is taking the art, and the commercial, combining the two, and producing work that will be a showcase of your talents and commercially viable.

What is really refreshing about “Don't F*ck Your No-Budget Movie” is the candor with which Ivan approaches the process, he openly talks about how hard it was to make things happen and why, giving a first-hand view of what he did, how he achieved it and what pitfalls he faced in the journey.

As a team, we can see the value in this book and fully endorse it, our team has worked behind and in front of the camera for over 20 years and we decided that we wanted to focus our energy on producing for ourselves which we had a broad idea of what was involved from previous work, however, taking that knowledge (along with our contacts in distribution, casting, etc), alongside the stellar advice offered by Ivan Peric in his book, we can clearly create a path that will reduce the process of creating a TV or film project and streamline it making it a much more cohesive journey. *It is worth noting even with the experience we have it is always good to source additional information and add to the arsenal of information we have in our pocket, which this book did by verifying our thought processes and giving a clear and concise plan that filled in certain gaps in our knowledge.

To learn more about Ivan Peric or to purchase the book see:

Ivan Peric Link Tree.

Ivan Peric Twitter.

Don't F*ck Up Your No Budget Movie! Amazon UK. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Amazon USA. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Barns and Noble USA

Don't F*ck Up Your No Budget Movie! Google Books.

Don't F*ck Up Your No Budget Movie! Apple Books.

Volunteer Positions At House Of iKons Fashion Show 2022

With fashion week coming this February, there are opportunities to be a part of the scene coming up and The House of iKons is a star of fashion week that is a CV booster, and a chance to learn from some of the best within the industry, to support designers from across the globe, and being a part of fashion history.

As one of the top six worldwide, off-schedule fashion events, House of iKons is a show that has built from the ground up a leading fashion event during LFW, and gives backstage crew, designers, and press the chance to earn their craft on a global platform.

If you are interested in being part of this conversation as a volunteer or looking to be part of the press pit email by clicking here for further information or see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Twitter.

Adding To Our Book Collection

With the Christmas and New Years’ break in midflow, we wanted to take some time to add to our collection of books for work both in filmmaking and of course in makeup artistry (at the behest of our creative director JamesC). Naturally, with Boxing day sales, and gift cards in our pocket it was a really good time to add to the collection and give us time to read up on new techniques and look at some other perspectives.

Of course, we wanted to share the top 3 books that have made our list and give a brief overview of why we bought them starting with:

Don't F*ck Up Your No Budget Movie!: Inexpensive Filmmaking In This Content-Hungry Age by Ivan Peric, aside from the title (which immediately grabs attention) this was one that from the chapter list alone spoke to the team because it does talk in terms we are thinking and puts the emphasis on the commercial aspect of filmmaking, so we did purchase the book in hardback for our collection. We will be going into more detail on this book for the blog soon with the support of the Author, so stay tuned.

Don't F*ck Up Your No Budget Movie! Amazon UK.

Don't F*ck Up Your No Budget Movie! Amazon USA.

A Complete Guide to Special Effects Makeup 3 by the Tokyo SFX makeup workshop, was a real plus as it will add dimension to the collection and be in line with our second makeup-oriented book, which is one that will be bought in again as a backup. Focusing on cuts, scars, and wounds, this book offers up a different perspective on techniques that we are really interested in and want to integrate into our work next year.

A Complete Guide to Special Effects Makeup 3 Amazon UK.

A Complete Guide to Special Effects Makeup 3 Amazon USA.

Special Effects Guide Of Real Human Wounds and Injuries By Mr. Benito Garcia iii, a must for anyone interested in film and TV makeup, this is a truly graphic and comprehensive book that covers different aspects of bodily injury and shows you in real terms what they should look like making it entirely possible to replicate this with special effects.

Special Effects Guide Of Real Human Wounds and Injuries Amazon UK.

Special Effects Guide Of Real Human Wounds and Injuries Amazon USA.

We have other books coming and within the collection but these were real standouts and worth sharing as we move forward with our own plans and goals.

Project Development With The Team Behind The Memento Mori Portrait film

With an important and historical message, the short Memento Mori Portrait film is tackling a heartbreaking moment in Western history and bringing it to a wider audience.  

Having already won 7 awards for the script, the film itself is a love story with a twist, looking at the voices of those left behind and mixing in science fiction, imagination, and memory to create a beautifully sculpted narrative that takes the Holocaust and gives voice to the people who were lost with, the pink triangle badge, being the symbol of their shame and degradation.

An excellent team of filmmakers are already behind the project with accolades across genres and a collective CV of note, this film is a project designed to showcase their work, the story being part of a larger tapestry, it is a moment in time that is important to highlight and a story that deserves to be heard. 

The importance of the message this film creates is part of the reason it is being made and shows that there is still a long way to go with certain rights in the global narrative.  

To learn more about the project or to offer support see: 

Memento Mori Portrait Fundraiser.

Memento Mori Portrait Facebook.

Lumino Films.

Cut Frame Magazine

Designed to be a showcase platform for talent, from emerging to the established, Cut Frame Magazine has been making waves in the arts for its frontline look at the industry and passion for showcasing voices that might otherwise be missed. 

A creative hub that talks to the different people involved in creating the music we love, the theatre we watch, and the film and TV projects we enjoy, Cut Frame has become a go-to for the creative talent sphere that is rapidly gaining eyes outside the industry for its open dialogue approach and easy form. 

Insights from talent are something that frequently gets overlooked especially from the crew, what this magazine offers is them the chance to speak and show the reality of being part of an industry that spans the globe.  

Standing out in the market, Cut Frame has been instrumental in opening up a dialogue with filmmakers and actors who are telling the world about their journey, looking at the films that captivate us, and reviewing them with the critical eye of the talent behind the camera.  

With plans in motion to expand the platform with membership options that will open up further stories that are industry-related and give a more comprehensive and in-depth focus to their work, alongside a podcast culminating an end goal of going beyond the current boundaries and opening up the world to the potential of the creative fields. 

In an industry that relies on networking, marketing, and of course contacts, Cut Frame offers professional insight into that world and gives valuable advice and support to the creative networks out there, and shows us that we are not alone, the industry is there to support you.  

To learn more about Cut Frame, support, or get involved see:

Cut Frame Magazine.

Cut Frame Instagram.

Cut Frame Twitter.

Cut Frame Linkedin.

Support the magazine and its writers via:

Cut Frame Paypal.

Cut Frame Buy me a coffee.